Borgani saxophone quality professional#

I am working to express my personal feelings, and have only scratched the surface. Put pieces of music together that have a spiritual quality to them.

These ideas are always swirling when I am playing with different groups. Coming from the roots of music (Sonny Rollins, Wayne Shorter, Charlie Parker) I apply these principals or fundamental to every music I approach. Putting ideas together in all keys and how these keys relate to each other and how you can create harmony with melody and apply a rhythmic approach. JL: I have been working on spontaneous harmonic structures and how keys relate to each other. Q: What exercises have you been working on recently and why? An instrument I have been checking out is the TГЎrogatГі which is a Hungarian folk instrument in the soprano range (Bb) but put together like a clarinet with open holes ( ). When people start listening to you, you go back into the woodshed to define your concept of music. It is all about ideas and your journey in music, is going to be different depending on who you listen to, who you play with, and who you encounter. When listening becomes part of your approach, you start to deal with how you are playing and playing with other musicians. There is more to listen to than previous years of players on every instrument. Today there is a larger library with more sounds and spirits. My dad was a bridge for not just me but for other players in the Cleveland area. My dad was a great player in the Cleveland area but never had a big career or went to New York City but he played at a jam session with John Coltrane. A lot of local cats were bridges to the major players. For example, master Don Byas, Johnny Griffin was a bridge to Don Byas and Griffin is a master himself.

Joe Lovano: I completely agree with what Tim said with local artists being the bridge to major artists.

Those local artists that we grew up with in our local town were the bridges towards major artists such as John Coltrane and Jimmy Heath and this was imperative to helping me grow as a musician. Listening was imperative as Joe and I were growing up as players and still is today. Today, you can go to YouTube and listen to musicians who play the Nadaswaram for instance ( ) and find these players and a sound that I never would have had access to until years later. Tim Price: When I was growing up, I was interested in many different instruments that were played around the world but relied on records and live shows. LOVANO SAX DAKOTA PRESS RELEASE Q: What do you find is different about being a musician today than it was years ago? I am fortunate enough today that Joe Lovano and Tim Price (saxophonist & educator) have agreed to an interview to discuss their thoughts on the Sax Dakota straight tenor and alto saxophone as well as share some advice around areas to focus on if you want to become a better musician musically as well as professionally. Sax straight saxophones and pick up the Sax Dakota straight tenor and alto saxophone. Sax and the Sax Dakota straight tenor and alto saxophones, Joe decided to trade in his original L.A.

Borgani saxophone quality professional#

Click below to see for yourself why so many professional saxophonists consider David's thorough, methodical, and practical approach the 'real deal' for players at any level.ДЄfter just a few hours going back and forth play testing between the L.A. It represents his entire life's work teaching the techniques and concepts that were handed down to masters such as Michael Brecker, Bob Berg, and Harvey Pittel (among many others), and then refined over the course of decades teaching countless lessons and masterclasses worldwide. So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next.Д«roken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. It's not that gear doesn't affect your sound at all, but your biggest and richest sound will only come by developing the skills within both your body and mind to sound great on any setup.

Regardless of your horn, mouthpiece, or reed, the truth is, to the outside listener, you sound pretty much like.you.